A bit of a lark this time, as we probe the epochal import of the film Donnie Darko.
Is it possible for a film to herald the turning of the age, or perhaps, to hold it back?
world destroying paradoxes, the hierophanies of osiris and horus, the dying god, creative destruction, the last temptation of christ, and some examples of a ‘neo-traditionalist’ film interpretive method.
Good clean fun, for those of you who take movies way too seriously.
Direct download: TME26-donnie_darko_and_the_aeon_of_horus.mp3
“I can do anything I want, And so can you…”